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The Graduate School of Global Arts will organize its 2021 Master’s thesis presentation as follows. 8 students will give presentations over three days, along with presentations by guest commentators...

Today, global issues related to the natural environment, such as global warm-ing, are attracting the attention of many people across national borders. These problems are not only linked to the scientific aspects of the ecosystems of a certain region but also its political and economic aspects... ...

Professor Yuko Hasegawa received this year’s Commissioner for Cultural Affairs Award, which given to people who had distinguished achievement in cultural activity...

Graduate School of Global Arts, Department of Arts Studies and Curatorial Practices (GA) organized the public lecture by Philosopher Timothy Morton (Professor at Rice University). Under the title of “Geotrauma”, setting “grief” as the keyword of the lecture...

We are pleased to announce that GA will organize an online public lecture by prominent philosopher Timothy Morton on “new ecology and arts/cultures” on November 21...

We are pleased to announce that the texts on online exhibition from the catalogue of “Alter-narratives” are now available to read on our website...

From Monday, November 9 to Sunday, November 15, there will be an exhibition of artworks, screenings of plays, performances, and online/offline symposiums. What kind of culture and art are possible in the wake of the novel coronavirus crisis - and in the post-coronavirus era?

“Introduction to Art and Culture in the Global Age” is a series of special lectures organised by the Graduate school of Global Arts. In this course we invite specialist from around the world to give lectures and workshops. Hosted by Arts Management and Cultural Policy field, this time we welcome Raqs Media Collective, with a lecture "Close to a Distant Triennale."

The Exhibition focuses on the images “outside” of works – that cannot be seen here and now. Then, it reconnects and circulates within viewers, reversing the “invisible” into the foundation that constitutes visuals. Can we remove ...